One thing I love about photography is that beauty can emerge from the harshest conditions. I shot the two-day Stanford Invitational track meet this past weekend, and to be honest, I felt like I was hanging on for dear life. But even in depths of that struggle, I still managed to put together some of my best work.
This is a story in two parts. This first part will talk about the logistical considerations and decisions that helped me to survive the weekend. The second part will go into the aesthetic decisions that helped me to rise above the struggle.
There's a saying that the goal of an endurance race is to survive long enough that you can be there for the moments of the race that really matter. Something similar is true about endurance photography. You have to put yourself in the position to do great work, and then you have to actually make those pictures when the time comes.
This is a story in two parts. This first part will talk about the logistical considerations and decisions that helped me to survive the weekend. The second part will go into the aesthetic decisions that helped me to rise above the struggle.
There's a saying that the goal of an endurance race is to survive long enough that you can be there for the moments of the race that really matter. Something similar is true about endurance photography. You have to put yourself in the position to do great work, and then you have to actually make those pictures when the time comes.